A stalwart of the Leeds music scene for the best part of 3 decades, Tony Burkill has so far maintained a low profile nationally, choosing to favour continued study and development of the instrument over the attainment of success or recognition within the music industry.
To date, each volume in Africa Seven’s thrilling Africa Airways compilation series has been little less than essential. It goes without saying that this fourth installment is also exceptionally good.
Late 80s South African dance floor winners only. Selected by DJ Okapi and Antal, the compilation holds tracks by Jivaro, The Hard Workers, Ayobayo Band, S.Y.B. & many more.
Fortuna Records deliver a stellar compilation of real-life magic created by immigrants from Yemen, in Tel Aviv, from the mid seventies to the early eighties.
Now Analog Africa returns to put the record straight. Pop-Makossa shines a light on a glorious but largely overlooked period in the story of Cameroonian makossa, when local musicians began to replace funk and highlife influences with the rubbery bass of classic disco and the sparkling synth flourishes and drum machines of electrofunk.
“Dilla” by Abstract Orchestra has been generating a buzz since it’s inception in 2016 and subsequent UK tour, during which the album was presented to the public in its live form.
Even by the notoriously stargazing standards of early ’80s jazz funk, Potter & Tillman’s sought-after 1982 album Space Rapture is particularly intergalactic.
Go! Bop! made a reissue of Joao Donato & Seu Trio’s Muito À Vontade, originally released in 1962.
Previously unreleased full edition for this explosive jazz-funk score by Italian Maestro Riz Ortolani, created in 1973 for the crime-movie Si può essere più bastardi dell’ispettore Cliff’ (also known as Mafia Junction’).
There are many ways for a band or an artist to compile an album: some make it in a week and some let the process go on longer.
